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An exploration of the surfing experience through the use of lo-fi and analog photographic mediums.
Saturday, January 31, 2009
Displacement Hulls in Contrast
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Friday, January 30, 2009
Thursday, January 29, 2009
Wednesday, January 28, 2009
the Noll curse continues.....
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On another note, I thought I'd post up some pictures of another interest of mind- urban decay and post-industrial liter. Here are few shots from the outer limits of the big apple.
Tuesday, January 27, 2009
Into the Light series photo #1
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Sunday, January 25, 2009
A photograph from last week's swell event.
Castles Made of Sand and Incoming Tides
Saturday, January 24, 2009
beach side makeshift bar
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Some of the long beach residents who make their home under the boardwalk made a little impromtu party with full a stocked makeshift oceanside self-serve bar set-up. all the finest libations were available - Old English Malt, Mad Dog, Thunderbird, colt 45 and some high-styling Johnny Walker. It's a shame they did not clean up after themselves though.
Friday, January 23, 2009
Thursday, January 22, 2009
Cooperfish Cryonetics
Wednesday, January 21, 2009
Early Morning Surf Rituals-Snap Shots of the Process
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Early morning bouy checks, pulling boards from the garage rafters, strapping them to the roof the car, selecting music for the drive are opportunities to enjoy the early morning hours and prepare for the day. Getting to the beach always brings on feelings of anticipation and excitement as I get my first glimpse of the surf. Selecting the board to be ridden, suiting-up and waxing are equally part of the overall experience and often provide opportunities to catch up with friends and get ready for the paddle out.
The above photos are some recent shots of the process.
Tuesday, January 20, 2009
sunrise after a fresh snow
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I exposed these photograph shortly after sunrise on a morning with fresh snow. The waves were about waist/stomach high and clean. The pictures was taken with a vintage diana camera- I like the moonscape quality of the shots, and the quiet feeling that is evoked. The water was cold but the line-up was filled with warmth and good spirits.
Monday, January 19, 2009
A Rarely Seen Mysto-Man and his Keel Fish..
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A real fun session was had on Martin Luther King Jr. Day morning. Just me and four other close friends trading waves for close to three hours. Fresh snow on the beach, oil-slick glassy conditions, no wind, and an incredible sunrise all worked together to increase the frequencies of smiles to be had. While the waves were not as good as we had hoped for, it was fun nonetheless. Any surfing on a Monday is fine by me!!
Sunday, January 18, 2009
Mandala waiting for it's turn..
Saturday, January 17, 2009
Kingbee: Post Wind Whipped Session
Friday, January 16, 2009
Thursday, January 15, 2009
a different look to loggin'
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Wednesday, January 14, 2009
some of Glider's non-surf related favorites
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The surf continues to be rather dismal and extremely cold in these parts. Hoping to post-up some new negs shortly. I got a vintage Diana on the way which i am stoked to get my hands on. If your in NY and have an interesting quiver I'd love to come and take some shots, please leave me a note if open to sharing your shots boards with others.
Monday, January 12, 2009
Desolation Row
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Desolation Row-excerpt
Praise be to Nero's NeptuneThe Titanic sails at dawn
And everybody's shouting
Which Side Are You On?"
And Ezra Pound and T. S. Eliot
Fighting in the captain's tower
While calypso singers laugh at them
And fishermen hold flowers
Between the windows of the sea
Where lovely mermaids flow
And nobody has to think too much
About Desolation Row
Copyright ©1965; renewed 1993 Special Rider Music
A random afternoon surf check- west end lines
Sunday, January 11, 2009
ghost yard
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Saturday, January 10, 2009
Thursday, January 8, 2009
post-log session photograph
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Minor White's Pacific, Devil's Slide 1947
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I came across the following excerpt from Robert Adam's Beauty In Photography. It is a commentary on Minor White's photographs of the Ocean. I think it speaks to the reason a lot of individuals are photographically drawn to the sea.
White's choice of the ocean as subject was for him exactly right. Its appearance, closely observed, is hypnotic: who can be uninterested in so delicate a light, or the power of waves on rock, or the immensity of the whole view? White's pictures come to more, however than just these geographic facts, as anyone who has walked the beach almost knows they must. The ocean by virtue of its size and apparent emptiness, invites attention outward from our petty landscapes, away from ourselves. The sea is too vast to understand and to awesome to avoid; it attracts us at it offers a final liberation from human scale. (Adams, Beauty in Photography, p92)
On another note- I finally got to surf after about a week of dreadful flatness. It was pretty desperado as the swell angle was too east, the tide too high and the wave too weak. Still good to loosen up a bit and enjoy the feel of salt and the smell of the sea. hopefully some quality surf is not to far off.
White's choice of the ocean as subject was for him exactly right. Its appearance, closely observed, is hypnotic: who can be uninterested in so delicate a light, or the power of waves on rock, or the immensity of the whole view? White's pictures come to more, however than just these geographic facts, as anyone who has walked the beach almost knows they must. The ocean by virtue of its size and apparent emptiness, invites attention outward from our petty landscapes, away from ourselves. The sea is too vast to understand and to awesome to avoid; it attracts us at it offers a final liberation from human scale. (Adams, Beauty in Photography, p92)
On another note- I finally got to surf after about a week of dreadful flatness. It was pretty desperado as the swell angle was too east, the tide too high and the wave too weak. Still good to loosen up a bit and enjoy the feel of salt and the smell of the sea. hopefully some quality surf is not to far off.
Tuesday, January 6, 2009
Molluskine snaps
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When it's desperately flat- I find myself taking a jaunt into Williamsburg to visit my friends at Mollusk Surfshop. My brother and I usually strap the three kids in the car and head in for some up-close and personal board porn viewing. It's kinda like a strip-club for surfboard lovers, only your allowed to touch!! I highly recommend a trip to the shop- the guys involved are super committed to surfing and bringing great products to the east coast.
These shots were grossly underdeveloped- I pushed the development times but I guess I needed to go another stop or so. oh well I kinda like the effect.
Monday, January 5, 2009
Desperado: A conversation at dawn..
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S-Decks on Ice Redux
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Oh by the way, if your in the New York area the William Eggleston Retrospective Exhibit at the Whitney is a must. His work is spot on in terms of composition, subject matter and capturing that cool decisive moment.
Sunday, January 4, 2009
Friday, January 2, 2009
William Eggleston Retrospective Exhibit- Whitney Museum of Art
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I am very excited to be heading into the William Eggleston Retrospective Exhibit at the Whitney Museum tomorrow. Eggleston is one of my favorite photographers. He was one of the first fine- art photographers to legitimatize the use of color in photography. I am attracted to this use of color but also really appreciate his composition and his ability to make the seemingly uninteresting, interesting. His work reminds me somewhat of the cold objective nature of Walker Evans and Eugene Atget. (below is a cut and paste description of Eggleston's work from Wikapedia)
Eggleston's aesthetic
Eggleston's mature work is characterized by its ordinary subject-matter. As Eudora Welty noted in her introduction to The Democratic Forest, an Eggleston photograph might include "old tyres, Dr Pepper machines, discarded air-conditioners, vending machines, empty and dirty Coca-Cola bottles, torn posters, power poles and power wires, street barricades, one-way signs, detour signs, No Parking signs, parking meters and palm trees crowding the same curb."
Eggleston's mature work is characterized by its ordinary subject-matter. As Eudora Welty noted in her introduction to The Democratic Forest, an Eggleston photograph might include "old tyres, Dr Pepper machines, discarded air-conditioners, vending machines, empty and dirty Coca-Cola bottles, torn posters, power poles and power wires, street barricades, one-way signs, detour signs, No Parking signs, parking meters and palm trees crowding the same curb."
Eggleston has a unique ability to find beauty, and striking displays of color, in ordinary scenes. A dog trotting toward the camera; a Moose lodge; a woman standing by a rural road; a row of country mailboxes; a convenience store; the lobby of a Krystal fast-food restaurant -- all of these ordinary scenes take on new significance in the rich colors of Eggleston's photographs. Eudora Welty suggests that Eggleston sees the complexity and beauty of the mundane world: "The extraordinary, compelling, honest, beautiful and unsparing photographs all have to do with the quality of our lives in the ongoing world: they succeed in showing us the grain of the present, like the cross-section of a tree.... They focus on the mundane world. But no subject is fuller of implications than the mundane world!" Mark Holborn, in his introduction to Ancient and Modern writes about the dark undercurrent of these mundane scenes as viewed through Eggleston's lens: "[Eggleston's] subjects are, on the surface, the ordinary inhabitants and environs of suburban Memphis and Mississippi--friends, family, barbecues, back yards, a tricycle and the clutter of the mundane. The normality of these subjects is deceptive, for behind the images there is a sense of lurking danger." American artist Edward Ruscha said of Eggleston's work, "When you see a picture he’s taken, you’re stepping into some kind of jagged world that seems like Eggleston World.”[3]
According to Philip Gefter from Art+Auction, “It is worth noting that Stephen Shore and William Eggleston, pioneers of color photography in the early 1970s, borrowed, consciously or not, from the photorealists. Their photographic interpretation of the American vernacular—gas stations, diners, parking lots—is foretold in photorealist paintings that preceded their pictures.”[4]
Log on to the Whitney Museum Website for a more indepth discussion of Eggleston's work and video interviews with the photographer.
Thursday, January 1, 2009
Here is to a Relaxed and Mindful 2009!!
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