"The supreme good is like water, which nourishes all things without trying to"- Lao-Tzu
An exploration of the surfing experience through the use of lo-fi and analog photographic mediums.
Sunday, February 28, 2010
Friday, February 26, 2010
Happy Friday...
Another snow day for me!!! NY continues to get pounded with snow and wind. Wednesday, February 24, 2010
Two monks and a women...
One of my favorite Zen stories- a lesson about "letting go"
A senior monk and a junior monk were traveling together. At one point, they came to a river with a strong current. As the monks were preparing to cross the river, they saw a very young and beautiful woman also attempting to cross. The young woman asked if they could help her.
The senior monk carried this woman on his shoulder, forded the river and let her down on the other bank. The junior monk was very upset, but said nothing.
They both were walking and senior monk noticed that his junior was suddenly silent and enquired “Is something the matter, you seem very upset?”
The junior monk replied, “As monks, we are not permitted to touch a woman, how could you then carry that woman on your shoulders?”
The senior monk replied, “I left the woman a long time ago at the bank, however, you seem to be carrying her still.”
origins unknown
A Question, a thought..
Tuesday, February 23, 2010
Insight from unexpected sources.....
"There is more to life than increasing it’s speed."- Gandhi. This quote was passed on to me this morning from a very insightful teenager.This photograph was exposed last February. Given my lack of recent work I thought I post up an older image. Hoping for some waves this week!
Sunday, February 21, 2010
A New Day Dawning...

I exposed this photograph a few weeks ago at first light. It reminds me of the wonder of things to come and the simple beauty of an everyday moment. The photograph also puts me in mind of the new beginnings I have embarked upon on and is reflective of the deep sense of gratitude I am experiencing for the things I have in my life and my new found ability to perceive and accept those things more clearly and mindfully.
On another note, I am anxiously awaiting the new addition to the family as my brother, Martin and his wife, Shara are set to deliver a new child this morning. My thoughts and prayers are with them today.
Wednesday, February 17, 2010
surprising winter fun yesterday..
Got lucky and caught a completely average non-memorable surf yesterday. It was still a pleasant surprise given the marine forecast and "swell-nofo.coms" reports. Semi-side shore winds, and some sideways snow always keep you in mind of the Winter. Got to catch up with some friends and get a few fun ones on the Cherry Simms21. I am so grateful for my time off and the ability to spend some good time with Pjay and Avery. Enjoy the simplicity of it all....
Monday, February 15, 2010
wishful thinking..
Rediscovering Atget...
I recently have become re-interested in the camera obscura (pinhole camera). While out testing out one of my pinhole cameras at an old abandon church (photo above), I started thinking of one of my favorite photographers, Eugene Atget.
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Sunday, February 14, 2010
good memories...
Saturday, February 13, 2010
Hou Koers

These photographs were sent to me by a guy named Arjan Grooters. He is doing some very cool lo-fi stuff from the North Sea in the Netherlands. So stoked to talk to a salt stained brethren from a place so far way. check his blog: www.houkoers.blogspot.com his stuff is way cool.Thursday, February 11, 2010
Some more random Russian LC-A shots




Here are a couple of random x-processed LC-A shots from the fall into winter '09- '10. I really dig this camera as a small, grap shot type camera- inferior optics, wide angle lens- great for the lo-fi. freakWednesday, February 10, 2010
the doors of perception
This photo is one of many that I exposed on Sunday. It a photo of the entry arch to an old and abandon church that is not too far from my house. The place had such a weird vibe, walking around it- I definitely felt the presence of a lot adolescent activity that certainly goes down there at night, but a tremendous sense of stillness was also evident. I liked it there!Monday, February 8, 2010
kneeboarder...
Thursday, February 4, 2010
a revisited negative
This photograph was posted here sometime in late 2008 or so. Since I am in a bit of a photographic rut. I have been re-examining so old negatives, This is one of the few Diana shots i have of actual surfing. more often than not surfing pics end up too blurry (yeas I said too blurry) of the surfer is to far away from the lens to capture a worthwhile phot0. I plan on spending more time swimming around with a make shift water housing and a Diana in the upcoming Spring and Summer months.Hoping for some weekend swells as a little low is set to pass by creating a little ese swell--- we will see though
Wednesday, February 3, 2010
Coughin' Up Buicks
Tuesday, February 2, 2010
Roof Top Coop
Monday, February 1, 2010
Liquid Salt Magazine and Salt Stained Eyes

I was really honored to be interviewed by Glenn Sakamoto for his magazine Liquid Salt.


Until his death thirty years later he worked quietly at his calling. To a casual observer he might have seemed a typical commercial photographer of the day. He was not progressive, but worked patiently with techniques that were obsolescent when he adopted them, and very nearly anachronistic by the time of his death. He was little given to experiment in the conventional sense, and less to theorizing. He founded no movement and attracted no circle. He did however make photographs which for purity and intensity of vision have not been bettered.
Atget's work is unique on two levels. He was the maker of a great visual catalogue of the fruits of French culture, as it survived in and near Paris in the first quarter of this century. He was in addition a photographer of such authority and originality that his work remains a bench mark against which much of the most sophisticated contemporary photography measures itself. Other photographers had been concerned with describing specific facts (documentation), or with exploiting their indivisual sensibilities (self-expression). Atget enconpassed and transcended both approaches when he set himself the task of understanding and interpreting in visual terms a complex, ancient, and living tradition.
The pictures that he made in the service of this concept are seductively and deceptively simple, wholly poised, reticent, dense with experience, mysterious, and true. 



